Les Amoureux à Paris—French for "Lovers in Paris"—stands as a layered meditation on intimacy, memory, and the enduring tension between transcendence and mortality. Set in a modern abstract cubist landscape, the composition utilizes bold colors, fractured forms, and spatial ambiguity to evoke the restless dynamism of human connection. At its centre, the Eiffel Tower rises not as an icon, but as a quiet sentinel—bearing witness to the longing, devotion, and impermanence that define our shared emotional architecture.

The figures of the lovers are deliberately entangled, shaped through tension rather than resolution. Their presence suggests more than romantic attachment—they represent the intersection of spiritual fidelity, emotional risk, and existential inquiry. Here, love is not escape but confrontation: with self, with other, and with the inevitable losses time inscribes upon desire.

Rooted in decades of practice and critical reflection, this work seeks a visual language that speaks to collective vulnerability. By integrating traditional pictorial strategies with contemporary conceptual thought, Les Amoureux à Paris transcends its geographic and cultural reference to become a universal site of reckoning—where beauty and grief, faith and fracture, coexist in quiet negotiation.